My review of James Scruggs’s and Kristin Marting’s (Rus)h
Neither as fragmented nor as transgressive as its marketing materials might lead you to believe, (Rus)h is nevertheless an admirable and mostly successful project that highlights an exciting group of young performers and demonstrates that experiments in multidisciplinary theatre need be neither bloated and ostentatious, nor inaccessible and pretentious.
Full review here.
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